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Humanscapes
/russian /
hebrew/
As an artist, I am interested in capturing those elusive images that
dreams are made of. My works emerge out of a form of human encounter and
not a technical one. They are not photographic montages that are assembled
from constituent elements, but the whole image, that includes number of
layers, each of it aims to represent another side of the objects, but
never quite revealing their meaning.
My photo archive contains the seeds from which my images grow. Before
starting the computer manipulation, I ponder this archive, seeking fresh
and innovative juxtapositions that expand the possibilities of the initial
subject matter and surpasses the boundaries of ordinary experience. It
is my conviction that the whole process of image creation, from camera
shooting to darkroom or computer manipulation, is capable of being, in
the truest sense, a visual research lab - a place for discovery, observation,
and meditation. Ultimately, my task is to amaze the watcher.
It is very important to me to maintain a continual open dialogue with
my materials and process; that I am constantly questioning and in turn
being questioned, otherwise the entire process becomes a prescribed ritual
that does not allow for spontaneous variations and reactions and vitality
of the medium and my relation to it suffers.
I aim to combat visual mediocrity and try to challenge the boundaries
of photography by exploring the darkroom or computer worlds of the cameraless
image, the negative sandwich, multiple printings, double exposure, the
expended tonal scale, etc.
My images are personal but I sincerely hope that they have significant
implications for others to inspire them to seek out their own "humanscapes".
The final result must be as if one theme shines through another, acquiring
fresh nuances while preserving and strengthening the traces of its origin,
causing everything to be more real, more alive than in real life.
Nathan
Brusovani was born in 1956 in Leningrad. In 1978 he graduated from
Leningrad University with the Master's degree. While studying there he
also completed a course in scientific photography. For the next eight
years under the influence of his elder brother, an artist, he has been
studying photo art in his home laboratory.
During the same period of time Nathan also taught Hebrew and was active
in Jewish cultural life. He participated in various underground exhibitions
in Moscow and Leningrad. While still in refusal he succeeded in smuggling
out some of the negatives of my works into the USA and Israel and later
the album of this works was published.
In 1987 Nathan received permission for emigration from Soviet Russia and
with his wife Hana and four children came to Israel where they are living
now.
In Israel Nathan participated in many exhibitions, among them the personal
exhibition in Jerusalem Theater in 1997.

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