Nathan Brusovani (Bar)

Brusovani uses computer applications that are more than just added affectations to existing images, but enhancements that seem to "belong" in some strange way and add to the overall effect.
Sometimes bordering on abstract, his work contains hints of borrowed, dream-like representative features that bring one back to a form of dream-like "reality. Sober and sometimes with great restraint, these images offer a consistent, quiet, yet profound atmosphere or mood that is very compelling.
Spirituality is very much a part of his work and Judaism shines through in practically every image. This creative expression of his faith has found it's way into his art in subtle and not so subtle ways, finding a way to do this without being brashly "religious". A world of visual experimentation. // ARTROM Gallery Roma, Italia

Exhibitions

  • Art Molbert Gallery, S. Petersburg, 2012
  • "Homage to Great Masters and Ancient Times", ARTROM Gallery Roma, Italia 2011
  • Art Hotel Rachmaninov, S.Petersburg, 2011
  • One-person show, Beit Weil, Kfar Shmaryahu, Israel , 2010
  • One-person show ,Jerusalem Theater, Israel, 2009
  • "Memories", PrimoPiano Gallery, Lecce, Italy, 2008
  • "Painting and Photograhy on One Pixel" with the artist Ori Raz, Al HaAgam Gallery, Raanana, Israel, 2008
  • Sixth Annual International Festival of Photography - “Beyond Boundaries 2007” in Rome, Italy, presented by ARTROM Gallery, 2007
  • One-person show, Jerusalem Theater, Israel, 2007

    • Awards

  • Third Place in Artrom Gallery International Art Competition "Revealed", 2008, Italy,Roma
    • Gallery comment: "Nathan Brusovani’s photograph plays with the viewer by creating an environment where movement and non-movement create a vibrating energy within the image. A juxtaposition which causes the mind to shift, to look again, to reconsider".
    "I aim to combat visual mediocrity and try to challenge the boundaries of photography by exploring the darkroom or computer worlds of the cameraless image, the negative sandwich, multiple printings, double exposure, the expended tonal scale, etc. My images are personal but I sincerely hope that they have significant implications for others to inspire them to seek out their own "humanscapes".
    From the Tryst Interview: "Your work is dark to me with your use of colors and perspective; but I noticed points of light, like rapture as an opposing force to imply tranquility. I am trying to understand how this happens. I know that you described your work as humanscapes, but what are primarily the themes behind your work? Isn’t there some statement you’re making consciously or subconsciously?" More

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